![]() It is very important to remember as well that these were parents of a certain class and time it would be wrong to make them lovey-dovey modern parents. He is a naturally gregarious guy and his instinct about this man was to really dig into the PTSD. I was very struck by that quality of the script, because it does take you behind the creation of Winne-the-Pooh but it’s about so much else as well.ĭomhnall Gleeson is playing very much against type in this movie. Specifically, the idea that to create something great you may have to give something else up. One of the things the film does well is to explores the joys and spoils of the artistic process. Hailing from the theater, he’s an actor’s director bar none, eyes alight when I mention his estimable cast. ![]() ![]() The spirited filmmaker has a bit of a live-wire personality, informed by a rapid-fire speaking style and generous give-take. I caught up with Simon Curtis ( My Week with Marilyn, Woman in Gold) recently to discuss the picture’s complex Edwardian family and his experiences working with his note-perfect cast. Starring Domhnall Gleeson as Milne, Margot Robbie as wife and mother Daphne and Kelly MacDonald as the nanny integral to the upbringing of their son, Christopher, played by newcomer Will Tillson, Goodbye Christopher Robin explores the notion that great art means sacrifice, but it also means healing. Milne to create the stories of the cherished teddy bear and friends that have become some of the most beloved of all time, we learn the backstory and personal costs. In director Simon Curtis’ new picture, Goodbye Christopher Robin, an examination of post-war England milieu and the personal dynamics that set the stage for author A. While many of us fondly recall Winne-the-Pooh as indelible nostalgia and a collection of some of the most enduring characters in all of children’s literature, far fewer are aware of the story’s bittersweet origins.
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